The Neue Nationalgalerie by Mies van der Rohe between Preservation and Minimal Improvement  

作　　者：Andrea Canziani Sara Di Resta 

机构地区：[1]Ministry of Cultural Heritage,Activities and Tourism,Department Archaeology,Fine Arts and Landscape,Genoa 16126,Italy [2]Department of Architecture and Arts,Iuav University of Venice,Dorsoduro 2206,Venice 30123,Italy

出　　处：《Journal of Civil Engineering and Architecture》2020年第4期226-232,共7页土木工程与建筑（英文版）

摘　　要：The Neue Nationalgalerie(1968)is considered an icon of the 20th century and part of the legacy of Mies van der Rohe.Almost 50 years after its construction the building showed some physiological decay;however,it has been considered obsolete due to the changing standards of use and comfort of an international art gallery affected also by a growing flux of visitors.The paper investigates the future of such an icon of modern architecture moving from some open issues of the intervention carried out by David Chipperfield started up in 2015 and now in an advanced stage.The refurbishment is pursuing the modernization of the building,but trying to match the historical values with the requirements of climate control and safety.The binomials memories/requirements and authenticity/form are at the base of the investigation.Although the intervention confirms the continuity of original use and it is aimed at keeping the image of the icon,it imposes transformations that belong to very different strategies,sometimes incompatible with the preservation of material meanings and values.The restoration work on modern heritage outlines how new cultural and socio-economic needs confront themselves with respecting/reproducing the appearance of the monument.

关 键 词：Neue Nationalgalerie MIES van der Rohe modern architecture HERITAGE AUTHENTICITY OBSOLESCENCE PRESERVATION improvement. 

分 类 号：O17[理学—数学]