“万人空巷看茶花”:1950年代戏曲改革的温州图景  

The Whole Town Turns Out to Watch Chahua:A Picture of the Opera Reform in Wenzhou in the 1950s

作　　者：李冰冰 

机构地区：[1]华东师范大学历史系,上海200241

出　　处：《历史教学（下半月）》2020年第3期65-72,共8页History Teaching

摘　　要：在1950年代的戏曲改革运动中,温州乱弹艺人陈茶花乘势而起,凭借新戏《高机与吴三春》成为温州戏曲界的一颗新星。温州乱弹的重振与陈茶花的成功,展现出中央政策与地方之应因、调适的探索过程。"一出戏救活一个剧种",一个旧艺人改造成新时代人民艺术家,这幅温州戏曲改革的图景,揭示了中央政策的地方性。In the Opera Reform movement of the Communist Party of China in the 1950 s, Wenzhou Luantan performer Chen Chahua took advantage of the situation and became a new star in the theatrical circles in Wenzhou through the new play Gaoji and Wu Sanchun. The revival of Wenzhou Luantan and the success of Chen Chahua show the exploration process of central policy and local response and adjustment. "One play saves one kind of opera", an old artist was reformed into a people’s artist in the new era. This picture of the opera reform in Wenzhou reveals the locality of the central policy.

关 键 词：陈茶花 《高机与吴三春》 温州乱弹 戏曲改革 

分 类 号：K27[历史地理—历史学]