知识生产和文化传播使命下的绘画展强策展趋势——基于美术馆与博物馆的对比研究  

The Bold Curating Trend for Exhibitions of Painting and the Mission of Knowledge Production and Cultural Communication:A Comparative Study of Art Museums and Comprehensive Museums

作　　者：陈同乐[1] CHENG Tong-le(Jiangsu Art Museum,Nanjing,Jiangsu,210018)

机构地区：[1]江苏省美术馆,江苏南京210018

出　　处：《东南文化》2020年第2期181-185,I0011-I0012,共7页Southeast Culture

摘　　要：在知识获取途径极其多样和便捷的今天,美术馆、博物馆的知识生产和文化传播使命对策展提出明显的新要求。美术馆和综合性博物馆的绘画展在朝各自擅长的领域进发并担任不同方向公共教育责任的同时,也在一个大的社会环境中经受检验后向彼此学习。这类绘画展在保持自己独有气质的同时,发挥美育功能,并有意识地开拓文化挖掘和文化传播功能,形成"强策展"趋势。"强策展"理念对于当今绘画展策展的意义重大,也对策展人提出更高的艺术专业素养要求。他们须同时是合格的艺术批评家、具有创新思想的创作者、艺术传播专家等。未来展览界将出现深具历史眼光和前瞻性的"展览的展览"以及专业中立、理性辩证的"展览批评"。Today the knowledge acquisition has become tremendously easy and could be approached with diverse channels,which presents new challenges for museums whose missions include knowledge pro duction and cultural communication.While art museums and comprehensive museums are advancing their curating practices in their respective areas of expertise and assuming public education roles with different fo cus,they are learning from each other as well.Maintaining their unique temperament,these exhibitions on paintings are also performing their duties in aesthetic education and consciously expanding their function in cultural mining and communication,thus forming the“bold curating”trend.The concept of“bold curating”is of great significance to the practices in curating painting exhibitions.It also presents higher requirements for the qualification of curators who are expected to be competent art critics,innovative creators as well as art communication experts.The near future is to see the emergence of a bunch of exhibitions of exhibitions that are fledged with historical perspectives and visionary insights and exhibition reviews which are profes sional,neutral,rational,and dialectical.

关 键 词：博物馆 美术馆 绘画展 知识生产 文化传播 强策展 策展人 

分 类 号：G260[历史地理—考古学及博物馆学]