周密笔记中的生命体验及其审美超越  

On Life Experience and Aesthetic Transcendence in the Notes of Zhou Mi

作　　者：刘师健[1] LIU Shijian(Research School for Literature Science,Hunan Academy of Social Sciences,Changsha 41003,China)

机构地区：[1]湖南省社会科学院文学研究所,湖南长沙410003

出　　处：《湖州师范学院学报》2020年第3期33-39,共7页Journal of Huzhou University

基　　金：湖南省哲学社会科学基金一般项目“两宋士人心态与笔记创作的嬗变研究”(18YBA280);国家社会科学基金后期资助项目“宋代笔记的文体自觉与新变研究”(19FZWB070)的阶段性成果。

摘　　要：周密享有笔记巨擘之称。在其笔记文本中,他打破了文本的封闭与自足,通过时间书写、离散书写、历史书写,传达出作者对生命体验和现实关怀的全新阐释与融合,文本中大量史学记载由此不再仅仅只是一种书写策略,更是传达了作者在历史更替、文化转型时期紧迫煎熬的内心世界。作品中折射出作者在易代之际直面地域失序、思想价值观念多元共存的理性自觉,以及立功不成、反诸立言以超越现实困境的主体意志,这是一种着眼于自我心灵发展的人格境界的重构,作者于自我与历史的对话书写中建立起理性自足的人格,实现了人生的审美化。这在笔记史上,甚至在中国文化史上,无疑都具有典型的意义与独特的认识价值。Zhou Mi was known as the notebook giant. In his notes, he broke the closure and self-sufficiency of the text, conveying a completely new interpretation and integration of life experience and practical care through time writing, discrete writing and historical writing. So a large number of historical records in the text is no longer a writing strategy but also a method for the author to construct self-identification in the dangerous heterogeneous space of history and cultural transformation. The works reflect the author’s rational consciousness of facing the difficulties in life and his will to surpass the difficulties in reality. Moreover, the author did not overcome the suffering in life through the way of extraversion, but he focused on the development of the self mind and the sublimation of personality consciousness, and he established a rational self-contained personality in the dialogue between self and history, and the beautification of life was realized. In the history of notes and the history of Chinese culture, it undoubtedly had a typical meaning and unique value of understanding.

关 键 词：周密 笔记 生命体验 审美超越 

分 类 号：I207.41[文学—中国文学]