《红楼梦》“情痴”的艺术内涵及禅宗美学意蕴  

The Artistic Connotation and Zen Aesthetic Implication of“Love Fool”in A Dream of Red Mansions

作　　者：高明月[1] 麦永雄[1] GAO Mingyue;MAI Yongxiong(College of Liberal Arts,Guangxi Normal University,Guilin,Guangxi 541004)

机构地区：[1]广西师范大学文学院,广西桂林541004

出　　处：《中国文学研究》2020年第2期77-84,共8页Research of Chinese Literature

基　　金：国家社会科学基金项目“东方美学的当代化与国际化会通研究”(18XWW003)。

摘　　要："情痴"一词作为宝玉、黛玉至情至性的核心概念,具有丰厚的艺术内涵。"情"为本体,"痴"为外在表征。"情痴"的审美体验包含"痴迷""痴情""痴狂"三个层面:"痴迷"的心理过程具有静默、瞬间顿悟的兴会特点;"痴情"包含惊、惧、喜、悲、孤独等复杂的生命情态;"痴狂"通过呆、傻、疯、痴、狂等言语行动表现,是真性情的自然显现。由"情痴"到"情悟"最后至"情禅"的境界在《红楼梦》中体现了禅宗美学空无观的思想,具有诗意人生的悲情美。In A Dream of Red Mansions,"love fool"is used as the core concept of the innermost emotions and human nature of Baoyu and Daiyu and has profound artistic connotation."Affection"is the internal noumenon and"craziness"is the external representation.The aesthetic experience of"love fool"includes three levels:"obsession","infatuation"and"craziness".The psychological process of"obsession"has the characteristic of silence and brain wave which is a silent and sudden flash of inspiration.The emotional experience of"infatuation"is complex,for it includes many complex human moods such as shock,fear,joy,sadness and loneliness."Craziness"is manifested by silly,stupid,crazy,idiotic and mad language and action,which is the natural manifestation of true nature.There is a progress from"love maniac"to"sentiment awakening",and in the end,to the state of"emotional Zen"in A Dream of Red Mansions that shows the empty concept of Zen aesthetics and has a tragic beauty of poetic life.

关 键 词：《红楼梦》 情痴 禅宗美学 生命体验 

分 类 号：I242[文学—中国文学]