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作 者:陈茂兵 CHEN Maobing(Wenshan Prefecture Zhuang Drama Troupe,Funing Yunnan 663400,China)
机构地区:[1]文山州壮剧团,云南富宁663400
出 处:《文山学院学报》2020年第2期63-66,共4页Journal of Wenshan University
摘 要:云南壮剧的一千多个传统剧目中,有连演几天几夜的连台大本戏,也有大型的单本戏,还有大量的小戏剧目。在云南壮剧发展的各个历史时期,从云南壮剧孕育期到形成时的早期、学习借鉴其他剧种,融入本土艺术元素,形成〔依嗬嗨腔调〕时期、专业表演团体组建时期、"文革"时期再到改革开放以来至今的繁荣时期,都有一大批壮剧小戏在壮剧舞台上不断地演出,展示出这朵壮族戏曲鲜花强大的生命力,呈现着鲜活旺盛、风格浓郁的壮族戏曲特征,见证了云南壮剧漫长而艰辛的发展历程。Among more than 1000 traditional operas of Zhuang in Yunnan, there are large-scale operas that can be performed continuously days and nights, single operas and a large number of small operas, or playlets. In each historical period of the development of Zhuang Opera in Yunnan, such playlets continues from its incubation to its birth and until their thriving, learning much from other operas and having integrated local artistic elements. The Zhuang playlets presents characteristics being fresh and vigorous. All of these prove the long and arduous development process of Yunnan Zhuang Opera.
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