先锋派建筑审美变革背后的阶层诉求  

Class Demands behind the Aesthetic Change of Avant-garde Architecture

作　　者：张希[1] 洪苗[1] 饶晓晓[1] 闫晓娜 ZHANG Xi;HONG Miao;RAO Xiaoxiao;YAN Xiaona

机构地区：[1]浙江农林大学风景园林与建筑学院,杭州311300

出　　处：《新建筑》2020年第2期122-126,共5页New Architecture

基　　金：浙江农林大学学校科研发展基金项目(2016FR012)。

摘　　要：在工业革命导致欧洲社会变革和阶层流动的社会背景下,以布尔迪厄关于阶层区分中审美配置的研究为理论基础,从20世纪初建筑先锋派运动宣言与实践的自我矛盾现象出发,阐释了建筑先锋派运动的首要目标是打破作为社会主流的传统建筑审美束缚;技术性、经济性、适用性等宣言在当时更多是为现代建筑审美提供合法性说辞。通过分析先锋派建筑师反传统审美背后对主流资产阶层审美品位的鄙视以及对获得资本权力认可的渴望,认为先锋派建筑师为现代建筑审美发声的一个非常重要的目的是:实现自我的阶层诉求,成为新的工业时代下资产阶层中牢固的一分子。Under the background of social change and class mobility caused by Industrial Revolution in Europe, based on Pierre Bourdieu’s theory of aesthetic configuration in class distinction, and from the self paradox of the declaration and the practice of avant-garde architecture movement in the early 20th century, this article interprets that the primary goal of avant-garde architecture movement was to break the bound of aesthetics of traditional architecture which occupied the mainstream aesthetic position. The declarations such as technicality, economy and applicability were used to provide legitimacy for modern architecture aesthetics. Through the analysis of the contempt for the aesthetic taste of the bourgeoisie and the desire for recognition of capital power behind avant-garde architects’ rejection for traditional aesthetics, it maintains that the essential purpose of avant-garde architects’ calling for modern architecture aesthetics was to realize their own class demands, and became a strong member of the bourgeoisie in the new industrial age.

关 键 词：先锋派 审美变革 合法性 小资产阶层 阶层诉求 

分 类 号：TU-86[艺术—艺术设计]