原始农耕信仰与祖先英雄崇拜的现代展演——湖南新晃侗族傩戏“咚咚推”调查  

The Modern Performance of Primitive Farming Belief and the Ancestor and Hero Worship:An Investigation of Nuo Opera of Dong Nationality in Xinhuang,Hunan Province

作　　者：李琳[1] 金媛 李园园 LI Lin;JIN Yuan;LI Yuanyuan

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《民俗研究》2020年第3期110-117,160,共9页Folklore Studies

基　　金：国家社科基金项目“南岳信仰传播与湖湘多民族文化交融研究”(19BZJ054);湖南省教育厅重点项目“多民族文化交融视域下的湖南飞山神信仰调查与研究”(18A078)的阶段性成果。

摘　　要：有"中国戏剧的活化石"之称的傩戏"咚咚推"保存了侗族先民遗留下来的多种傩戏剧目,向世人展现了侗族人民各种繁复有序和神秘有趣的习俗,是侗族先民原始农耕信仰的现代展演;"咚咚推"以盘古大王和飞山大王为傩神,除了在表演时对傩神举行各种请、迎、会、送的舞祭仪式外,演出的剧目也表现了作为移民后代的天井寨人为增强家族凝聚力而保持的祖先英雄崇拜。"咚咚推"作为天井寨人独有的一种戏剧形式,为研究南方民族在迁徙过程中的文化传承与文化交融提供了极为难得而生动的活动文本。The"Dong Dong Tui",known as the living fossil of Chinese drama,has preserved many kinds of Nuo drama repertoires left by Dong ancestors and shown to the world various complex,orderly,mysterious and interesting customs of Dong people.It is a modern performance of Dong ancestors’primitive farming belief.The"Dong Dong Tui"takes King Pangu and King Feishan as Nuo gods.In addition to the dance ceremonies of inviting,greeting,meeting and sending Nuo Gods back during the performance,the repertoires also show the ancestor and hero worship for people in Tianjing,as a descendant of immigrants to enhance the cohesion of the clan.As a unique drama form of Tianjingzhai people,"Dong Dong Tui"provides a very rare and vivid text for the study of cultural heritage and cultural integration of southern ethnic groups in the process of migration.

关 键 词：农耕信仰 祖先英雄崇拜 “咚咚推” 

分 类 号：J825[艺术—戏剧戏曲]