从陈奂生的“吃饭问题”到“陈奂生问题”——论滑稽戏《陈奂生的吃饭问题》的现实主义品格  

From Chen Huansheng's"Eating Problem"to"Chen Huansheng Problem":On the Realistic Character of the Farce Chen Huansheng's Eating Problem

作　　者：胡一峰 HU Yi-feng(China Literature and Art Criticism,Beijing,100083)

机构地区：[1]中国文联文艺评论中心《中国文艺评论》,北京100083

出　　处：《艺术百家》2020年第1期49-52,58,共5页Hundred Schools In Arts

摘　　要：常州市滑稽剧团的优秀作品《陈奂生的吃饭问题》,以充满地方感的小人物生活,关照具有强烈现实感和历史感的宏大问题。作品围绕"怎么吃饱饭""吃饱后怎么办"两大中心问题,通过陈奂生一家的悲欢离合,以艺术的方式透视了改革发展和民族复兴的"底层逻辑"。同时,通过一系列富有滑稽戏剧种特色和中华美学韵味的艺术手法,实现了文学"陈奂生"向舞台艺术的"跨界"转化,重塑了充满时代感和现代性的戏剧"陈奂生"形象,为戏剧艺术开掘现实题材的精神内涵和美学特质作出了应有的贡献。The excellent work Chen Huansheng's Eating Problem by Changzhou Farce Troupe takes care of grand prob-lems with a strong sense of reality and history by living with small people full of local feeling.The work focuses on the two central issues of"how to eat well"and"what to do after eating well".Through the joys and sorrows of ChenHuansheng's family,it explores the"bottom logic"of reform and development and national rejuvenation in an artisticway.At the same time,through a series of artistic techniques full of burlesque drama features and Chinese aesthetic charm,the"cross-border"transformation from literature"Chen huansheng"to stage art has been realized,the im-age of drama"Chen huansheng"full of sense of the times and modernity has been reshaped and due contributions have been made to the exploration of the spiritual connotation and aesthetic characteristics of realistic themes for dramaArt.

关 键 词：《陈奂生的吃饭问题》 滑稽戏 现实题材 舞台美学 改革开放 典型形象 

分 类 号：J805[艺术—戏剧戏曲]