场上之曲创作不应强“辞”而夺“理”——《牡丹亭》创作得失论析  

On the Pros and Cons of the Creation of The Peony Pavilion

作　　者：李明山 LI Ming-shan(School of Humanities,Wenzhou University,Wenzhou,Zhejiang 325399)

机构地区：[1]温州大学人文学院,浙江温州325399

出　　处：《艺术百家》2020年第1期53-58,共6页Hundred Schools In Arts

摘　　要：《牡丹亭》搬上舞台遭遇删改并由此引发争议;场上之曲的创作有其特定的内在要求,即符合中看、中用、中听原则,汤显祖反对《牡丹亭》改动实乃强"辞"夺"理";《牡丹亭》改本的出现具有客观价值。The Peony Pavilionwas censored when it was put on the stage and caused controversy.The creation of songs on the field has its specific internal requirements,that is,in line with the principle of seeing,using and listening.The appearance of the new edition of the Peony Pavilionhas objective value.

关 键 词：戏曲艺术 牡丹亭 原本 改本 戏曲价值 

分 类 号：J805[艺术—戏剧戏曲]