中西文化交流视野下莫高窟三兔共耳纹来源再议  

The Origin of the Earrings of the Three Rabbits in the Mogao Grottoes from the Perspective of Cultural Exchange Between China and the West

作　　者：陈振旺[1] 彭艳萍 CHEN Zhen-wang;PENG Yan-ping(School of Fine Arts and Design,Shenzhen University,Shenzhen Guangdong 518060;School of Communication,Shenzhen University,Shenzhen Guangdong 518060)

机构地区：[1]深圳大学美术与设计学院,广东深圳518060 [2]深圳大学传播学院,广东深圳518060

出　　处：《艺术百家》2020年第1期169-173,196,共6页Hundred Schools In Arts

基　　金：2019年度国家社会科学基金后期资助项目“隋唐两代敦煌石窟藻井纹样演化研究”(项目编号:19FZSB046)阶段性成果;2015年度教育部人文社会科学重点研究基地重大项目“隋代莫高窟壁画研究”(项目编号:15JJD770012)阶段性成果之一。

摘　　要：三兔共耳纹是隋唐莫高窟中出现的一种特殊图案,关于其寓意和来源学界观点不一。文章从三兔纹的文化寓意、考古发现、设计思想三个维度展开论述,借此考镜源流。三兔共耳纹与星辰崇拜、古代神话和中国传统图案设计思想皆有渊源,其中隐含着商周中原战汉纹样基因。同时,三兔共耳图案与佛教三世思想也有密切关系,它是隋代佛教发展到特定阶段,佛教思想和中国传统星象崇拜、道家神仙思想相互渗透而产生的图式,是敦煌画师在借鉴传统图案基础之上融合外来文明的原创。The three rabbits’ ear pattern is a special pattern appearing in the Mogao Grottoes in Sui and Tang dynasties. There are different opinions about its meaning and the academic circles. The thesis discusses the cultural implication,archeological discoveries,and design ideas of the Three Rabbit Patterns,and examines its origins and academics. The earrings of the three rabbits are related to the worship of stars,ancient myths,and traditional Chinese pattern design ideas. Among them are the genes of the Han and Zhou dynasties in the Shang and Zhou dynasties. At the same time,the three-eared rabbit ear pattern is also closely related to the thought of Buddhist Ⅲ. It is a specific stage of the development of Buddhism in the Sui Dynasty. The pattern created by the infiltration and fusion of Buddhist thought and Chinese traditional astrological worship and Taoist fairy thought is a reference for Dunhuang painters to draw on the tradition On the basis of the pattern,the originality of foreign civilization is fused.

关 键 词：图案设计 道家思想 星象崇拜 三世思想 传统纹样 

分 类 号：J50[艺术—艺术设计]