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作 者:黄鹤 颜敏[1] HUANG He;YAN Min(School of Chinese Language and Literatue,Jiangxi Normal University,Nanchang,Jiangxi 330022,China)
出 处:《江西师范大学学报(哲学社会科学版)》2020年第2期90-96,共7页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)
基 金:江西省社科规划一般项目“新时期以来母性主题小说研究”(编号:18WX05);江西省哲学社会科学重点研究基地重点规划项目“当代中国城市叙事研究”(编号:14SKJ10)。
摘 要:新时期以来许多女性作家笔下的母性书写选择了“缺父”的叙事策略,通过“缺父”视域下母亲苦难现实处境的书写,展现出女性生命个体中蕴藏着的母性力量,使地母原型的文化品格得以全面审视。同时“缺父”视域下的母女关系书写在现代审丑意识和女性自觉意识的双重影响下,加速了母性神话的解构。母系家族题材小说的繁荣表达出女性作家在“缺父”视域下建构自身主体性的时代诉求。In the new period,many female writers have chosen the fatherless narrative strategy in the maternal writing.It shows the maternal power in the female’s individual life by writing the realistic situation of maternal miseries from the perspective of lack of fathers and the cultural character of maternal prototype could be examined closely.Meanwhile,the writing about the relationship between mother and daughter in the fatherless horizon has sped up the deconstruction of maternal myth,affected by the modern ugly consciousness and the female self-awareness.The prosperity of matrilineal fiction has expressed the era demand of female writers to construct their own subjectivity in the absence of fathers.
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