“零度写作”在新写实小说中的阐释研究  

A Study on the Interpretation of Zero-degree Writing in New Realistic Novels

作　　者：代婵 李媛[1] DAI Chan;LI Yuan(College of Chinese Language and Literature,China West Normal University,Nanchong Sichuan 637002,China)

机构地区：[1]西华师范大学文学院,四川南充637000

出　　处：《齐齐哈尔大学学报（哲学社会科学版）》2020年第5期105-108,共4页Journal of Qiqihar University(Philosophy & Social Science Edition)

摘　　要：新时期中国文学批评在罗兰·巴特"零度写作"理论视域下审视新写实小说,并将其区别与传统的策略概括为"零度情感"与"零度叙事"。这些衍生术语在一定程度上可以考量"零度写作"与新写实小说结合时所发生的错位现象,其接受与阐释不仅是寻求新读者和新语境的过程,更是接受者一方建构自身话语立场的过程。In the new era, Chinese literary criticism examines new realistic novels from the perspective of Roland Barthes’ s theory of "zero-degree writing", and summarizes its differences from traditional strategies as "zero-degree emotion" and "zero-degree narrative". To some extent, these derived terms can consider the misplacement phenomenon when "zero writing" is combined with new realistic novels. Its acceptance and interpretation is not only a process of seeking new readers and new contexts, but also a process of the recipient constructing.

关 键 词：零度写作 新写实小说 阐释 

分 类 号：I207.42[文学—中国文学]