“表现论”还是“实用论”?--华兹华斯诗学再考  

“Expressive” or “Pragmatic”: Wordsworth’s Poetics Reconsidered

作　　者：谢海长[1] XIE Haichang

机构地区：[1]江西财经大学外国语学院

出　　处：《国外文学》2020年第2期32-42,157,共12页Foreign Literatures

基　　金：国家社科基金项目“英国湖畔派诗人社会文化批评思想研究”(项目编号:15BWW056)的阶段性成果。

摘　　要：M. H.艾布拉姆斯将华兹华斯诗学等英国浪漫主义诗学归属指向"艺术家"的"表现论"这一划分至今依然是国内外学界主流认识。然而,华兹华斯诗文书信表明,他一直奉行的是指向"读者"的"实用论"创作理念。正是这一理念决定了他诗歌题材和诗歌语言选择策略及诗歌价值评判标准。华兹华斯诗学的"实用论"倾向既是他积极因承古希腊罗马以降"实用论"诗学传统的结果,也是他深沉关切工业化、城镇化进程中"共同体"瓦解、劳动者被异化为"工具或器具"、"攫取和消费"导致道德滑坡、流行文学迎合"善变的审美趣味"等社会道德文化症候的产物。将华兹华斯诗学重新厘定为"实用论",有助于揭示华兹华斯诗学与他社会文化批评思想之间的内在统一。M. H. Abrams’ s categorization of British Romantic poetics,Wordsworth’s poetics included,as "the expressive theory" displaying a discernible orientation towards "the artist" still holds sway in the academia both at home and abroad. However,a holistic close reading of Wordsworth’s poems,essays and letters indicates that he has been persistently pursuing the "pragmatic" notion of reader-orientation in his work,which determines both his strategies of choosing the proper subject matter and language for poetic production and his criterion for judging the value of poetry.

关 键 词：华兹华斯诗学 表现论 实用论 

分 类 号：I561.072[文学—其他各国文学]