《人的文学》的思想源脉论析——蔼理斯与新村主义的影响  

On the Ideological Framework in Human Literature

作　　者：〔日〕小川利康 (Japan)OGAWA Toshiyasu(Faculty of Commerce,Waseda University,169-8050,Tokyo,Japan)

机构地区：[1]早稻田大学商学院,日本东京169-8050

出　　处：《长江学术》2020年第2期27-38,共12页Yangtze River Academic

基　　金：日本JSPS科研费(17K02651)。

摘　　要：周作人于1918年12月发表的《人的文学》对文学革命的发生、发展起到了决定性的作用。此时期周作人的思想主要包含两层结构:第一层是对"人"的认识,第二层是对"人类关系"的认识。其思想来源,前者主要源自英国蔼理斯的《新精神》,后者则主要依据日本作家武者小路实笃所提倡的新村主义。结合他于翌年1月发表的《平民文学》进行延展性观照,可以发现:除了受日本影响之外,五四时期的周作人还接受了19世纪末英国文学思潮的影响。在此双重影响之下,周作人发展出了自己独特的文学理论:一方面,他倾向神秘主义,将其视为理解他者的方法;另一方面,他关注"想象"(imagination),但因思维偏于理性故而对神秘主义又无法全面接受。Zhou Zuoren’s"human literature"published in December 1918 has played a decisive role in the occurrence and development of literary revolution. In this period, Zhou Zuoren’s thought mainly consists of two layers: the first layer is the understanding of"human"and the second layer is the understanding of"human relationship". The former is mainly based on the new spirit of Ellis, while the latter is mainly based on the new village doctrine advocated by the Japanese writer Saneatsu Mushakoji. Based on his extended observation of"civilian literature"published in January of the next year, it can be found that Zhou Zuoren in the May 4 th period was influenced by the British literary trend at the end of the 19 th century in addition to Japan. Under this dual influence, Zhou Zuoren developed his own unique literary theory: on the one hand, he tended to mysticism as a way to understand the other;on the other hand, he paid attention to"imagination", but he could not fully accept mysticism due to his rational thinking.

关 键 词：周作人 蔼理斯 勃来克 性心理学 精神分析 

分 类 号：I20[文学—中国文学]