周作人的“言志”文学观与中国文学的抒情传统  

Zhou Zuoren’s Literary View of “Expressing Ideal” and the Lyric Tradition of Chinese Literary

作　　者：杨经建[1] Yang Jingjian(School of Arts,Hunan Normal University,Changsha 410000,Hunan,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410000

出　　处：《长江学术》2020年第2期50-56,共7页Yangtze River Academic

基　　金：国家社会科学基金项目“20世纪中国文学的母语化进程研究”(15BZW149)。

摘　　要："言志"文学是五四后周作人针对"载道"文学而倡导的文学理念,也是其早期以"个人为本位"的"人的文学"的发展与演化。中国文学具有悠久的抒情传统,周作人的"言志"文学延接、创化了抒情传统,建构了一种在汉语言母语人文底蕴和审美神韵上的语言诗学。"言志"(抒情)文学虽然处于主流文学之外,但周作人对此的理论构设与创作实践,以及之后逐渐形成的抒情文学思潮,勘正了新文学建设的失误和偏颇,并为抒情传统的复兴和母语文学的现代性重构,提供了理论的依据和创作的可能。After the May 4 th Literature Movement, Zhou Zuoren advocated the literary concept of"expressing ideal"according to the literary view of"writings for Tao", which furthered his earlier notion of individualism-oriented"human literature". Chinese literature is with a long history of"lyricism", which is refreshed and transformed by Zhou Zuoren’s"expressing ideal"into a poetics of Chinese language. Zhou Zuoren’s ideas are outside the mainstream literature, but his creative practice and theoretical research not only correct the bias in the construct of new literature,but also prepare for the revival of"lyric tradition"and the modern reconstruct of mother tongue literature.

关 键 词：周作人 抒情传统 言志观 母语文学 

分 类 号：I206.6[文学—中国文学]