新武化运动与华剧影片公司的武侠片创作  

The New Wuhua Movement and Swordplay Films Made by Huaju Pictures

作　　者：王杰泓[1] 陈姝[1] Wang Jiehong;Chen Shu(School of Arts,Wuhan University,Wuhan 430072,Hubei,China)

机构地区：[1]武汉大学艺术学院,湖北武汉430072

出　　处：《长江学术》2020年第2期57-63,共7页Yangtze River Academic

摘　　要：20世纪20年代中后期,"古装片""武侠片""神怪片"三种创作类型相继勃兴,掀起了中国早期电影创作的第一次商业浪潮。著名电影导演郑君里将这一创作时期视为中国电影创作的"黑暗时代",但从真实的史料来看,华剧影片公司的系列创作是一个特例,其创作者借用"武侠"和"冒险"的概念,将"尚武"的时代精神和军阀混战的时代背景融入故事创作中。以《奇峰突出》《乱世英雄》《山东响马》为代表的冒险武侠片并不是与五四思潮相脱离的妥协之物,而是"寓尚武于游戏"的市场策略的结果。创作者通过将西方冒险片中的"奇""险"场景和侦探片中的机关、拳术打斗相结合,塑造了具有强健体魄和刚毅精神的"新青年"形象,并期望达到进行社会教育的目的。In mid and late 1920 s, "costume film" , "swordsmen film" and "genie Film" namely raised the first commercial wave of early Chinese film. Famous film director Zheng Junli regarded this period as the "dark ages" . However, from the perspective of the historical data, the creation of Huaju Pictures is a special case. Creators combined the concept of "martial arts" and "adventure" with "martialism" to tell stories. The films such as "Qifeng Outstanding" , "Heroes in a Troubled Time" , "Bandits From Shantung" are not the result of compromise away from the spirit of May-fourth Movement, but a kind of marketing strategy. Creators portrayed an image of the "new youth" with strong muscle and fortitude spirit by combining the scenes of "adventure" , "risk" with martial arts in order to achieve the purpose of social education.

关 键 词：新武化运动 华剧影片公司 中国早期电影 冒险武侠片 

分 类 号：J905[艺术—电影电视艺术]