论格非玄学侦探小说中的弗洛伊德主义表征  

Representation of Freudianism in Gefei's Metaphysical Detective Fiction

作　　者：袁洪庚[1] Yuan Honggeng(School of Foreign Languages and Literatures,Lanzhou University,Lanzhou 730000,Gansu,China)

机构地区：[1]兰州大学外国语学院,甘肃兰州730000

出　　处：《长江学术》2020年第2期64-75,共12页Yangtze River Academic

基　　金：国家社会科学基金后期资助项目“中外文学中的'罪'研究”(17FWW006)。

摘　　要：此文所述"玄学侦探小说"是指小说家兼文学教授格非出道伊始时涉及神秘事件破解的作品,亦称"文学性侦探小说",如《迷舟》(1987)、《褐色鸟群》(1988)等。与后来更倚重完整情节构建,力图反射式映照现实的作品相比,这些被视为"先锋写作"的早期作品更注重折射式再现生活真谛。作者借助弗洛伊德主义,尤其是精神分析学说,发掘人物的隐秘欲望,引导读者探究他们微妙复杂的内心世界。精神分析与侦探小说均以解谜为己任,均以呈现一个神秘事件肇始,以破解或搁置这个事件终结。因此格非借用侦探小说范式,在破解悬疑的过程中窥探人心之险恶,将犯罪归咎于人物内心欲望的勃发。社会因素则或隐而不见,或退居幕后。Gefei(Liu Yong, 1964-), novelist and professor of Chinese literature, commenced his literary career with a series of metaphysical detective stories, or literary detective stories, such as The Lost Boat(1987), Brown Bird Flocks(1988)…that are notoriously labelled"avant-gardist works". Compared with his more sophisticated late works,these pseudo-mysteries are of an experimental nature and a captivating style, focusing more on the refraction than the reflection of the objective world. Among his contemporaries, he is one of the earliest and the most initiative writers to consciously draw from Freudian theories and hypotheses, particularly psychoanalysis. Applying these theories and hypotheses, he probes into his characters’ inner world, betraying their hidden dark desires. As detective fiction and psychoanalysis share"solutions to mysteries", Gefei intentionally borrows the formula of the classic detective story to undertake his daring and exhaustive explorations in straying souls of his characters. Meanwhile, he stealthily departs from the orthodoxically realistic trend, which attributes perplexing problems, including various atrocious crimes to stubborn social and economic factors.

关 键 词：格非 侦探小说 欲望 弗洛伊德主义 

分 类 号：I207.42[文学—中国文学]