论狄更斯的“文学机器装配”  

On Dickens’ “Assembly of Literary Machine”

作　　者：蔡熙 Cai Xi(College of Literature and Journalism,Xiangtan University,Xiangtan 411105,Hunan,China)

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《长江学术》2020年第2期76-81,共6页Yangtze River Academic

基　　金：国家社会科学基金一般项目“狄更斯小说的视觉叙事研究”(19BWW043)。

摘　　要：在德勒兹的"文学机器装配"视域中,狄更斯是文学机器装配的大师。在狄更斯的艺术世界,不仅小说内部的各元素之间,而且每一件艺术作品皆是相互链接的,或者具有相互链接的潜质。同时,狄更斯以无限多样的方式把维多利亚时代的社会生活现象装配成"文学伦敦",组成一台生机盎然的"文学机器"。从更宽泛的精神文化现象来看,"狄更斯装配"不断创造出新的现实,构建新的机器和装配,彰显了文学永恒创新的本质。狄更斯的"文学机器装配"深刻地影响了后来的超文本作家及其作品。In the light of Deleuze’assembly of literary machine, Dickens is the master of literary machine assembly.In Dickens’ art world, not only the elements within the novel, but also each piece of art is linked to each other, or is provided with the potential to link with each other. At the same time, Dickens assemble the Victorian social life into "Literary London" in an infinitely diverse ways to form a living "literary machine." From the perspective of a broader spiritual culture phenomenon, "Dickens Assembly" constantly creates new realities, builds new machines and assemblies,and demonstrates the essence of eternal innovation in literature. Dickens’ "assembly of literary machine" has profoundly influenced the later hypertext writers and their works.

关 键 词：狄更斯 文学机器装配 《荒凉山庄》 《远大前程》 《我们共同的朋友》 超文本作家 

分 类 号：I561.074[文学—其他各国文学]