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作 者:何诗海[1] 胡中丽 HE Shi-hai;HU Zhong-li
机构地区:[1]中山大学中文系
出 处:《华南师范大学学报(社会科学版)》2020年第3期146-158,192,共14页Journal of South China Normal University:Social Science Edition
基 金:国家社会科学基金项目“古书凡例与文学批评——以明清集部著作为考察中心”(12BZW044)。
摘 要:六朝隋唐时期确立了别集仅收单篇辞章、不录学术著作的编纂体例以及诗赋在文体谱系中的核心地位,体现了文学独立、自觉以及与学术分离的进程。宋代以后,这种传统体例被不同程度地打破。到了清代,甚至出现大量专收学术论著的别集。这种变迁,为考察古代文学观念的发展、演变,如诗赋辞章地位的升降、“文”与“学”的离合变化等,提供了十分有效的视域。The compiling style of individual collections was established during the Six Dynasties and the Sui-Tang era,according to which only single poetry and prose were included,and academic works were excluded.Meanwhile,the core status of poetry in the genealogy of literary form was also established during this period of time.All of these above reflect the progress of the independence and consciousness of literature and its separation from scholarship.This traditional style was broken to different degrees after the Song Dynasty.In the Qing Dynasty,there were even numerous individual collections which specially collected academic works.These changes provide a valid field of vision for the investigation of the development and evolution of ancient literary ideas,such as the rise and fall of the status of poetry and prose,and the separation and reunion of“literature”and“scholarism”.
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