“生境”的重构——内蒙古传统马头琴工艺的当代特征  

Reconstruction of"Habitat"--Contemporary Characteristics of Traditional Inner Mongolia Horse Head String Instrument Technique

作　　者：王赫德 李正安[2] Wang Hede;Li Zheng'an(Inner Mongolia Normal University,Hohhot,Inner Mongolia,China,010000;Academy of art and design,Tsinghua University,Beijing,China,100080)

机构地区：[1]内蒙古师范大学,内蒙古呼和浩特 [2]清华大学美术学院,北京100080

出　　处：《艺术生活》2019年第4期76-80,共5页Art & Life

摘　　要：马头琴的传承历史虽历经千年,但它从游牧沃野的娱乐小品走向世界舞台的弦乐合奏却是近几十年的事情,其中主要得益于当代马头琴工艺在传统基础上的与时俱进。为探求内蒙古当代马头琴工艺传承、变革、发展的生存境遇,笔者深入呼和浩特数家规模化的马头琴生产厂商进行了周详、仔细地调研,同时对几位代表性的马头琴工艺师进行了专题访谈,期望能对内蒙古马头琴工艺的当代特征有一个广视角、多维度的认知与审视。The history of the inheritance of horse head string instrument is about thousands of years.However,it is just happened in recent decades that horse head string instrument has evolved from the entertainment items of nomadic nation to the instruments that can participate in the world stage level string ensemble.This is mainly benefited from the modern head string instrument technique’s development based on the traditional technique keeps pace with the time.In order to explore the living circumstances of the inheritance,transformation and development of Inner Mongolia modern horse head string instrument technique,the author went into several large-scale horse head string instrument manufacturers in Hohhot and conducted a thorough and careful investigation,interviewed several representative craftsmen of horse head string instrument at the same time,expecting to have broad perspective and multi-dimensional cognition and survey on the contemporary characteristics of Inner Mongolia horse head string instrument technique.

关 键 词：马头琴 内蒙古 工艺 当代 

分 类 号：J528[艺术—艺术设计]