动画人类学视角下的未来神秘主义——以《攻壳机动队》为例  

Future Mysticism from the Perspective of Animation Anthropology,Take Ghost in the Shell as an Example

作　　者：李兴[1] 韩雨欣 赵晶[1] Li Xing;Han Yuxin;Zhao Jing(Tianjin University,Division of Intelligence and Computing,Tianjin 300072,China)

机构地区：[1]天津大学智能与计算学部,天津300072

出　　处：《艺术与设计（理论版）》2020年第5期107-109,共3页Art and Design

基　　金：天津大学自主创新基金项目-社会影响力项目“天津城市文化色彩在动画中的应用性与传承性研究”阶段性成果项目编号:2017XSC-0019。

摘　　要：文章从动画人类学的视角对动画电影《攻壳机动队》进行深度解读,以阐释片中的未来神秘主义,及后人类时代如何影响人类对未来做出预判。未来神秘主义和影片在动画人类学背景下的对接成功,成为一类新兴的动画表现题材。而《攻壳机动队》以其特有的艺术表现价值,呈现出未来神秘主义社会中人类与机器、生物组织与人机结构之间的矛盾冲突,揭示了人类社会发展不能以丧失自我为代价的真相。From the perspective of animation anthropology,this paper makes a deep interpretation of the animated film Ghost in the Shell in order to explain the mysticism of the future in the film and how the post-human era affects human beings to predict the future.Future mysticism and the success of the film in the context of animation anthropology,become a new type of animation performance theme.With its unique artistic expression value,Ghost in the Shell presents the contradictions and conflicts between human beings and machines,biological organizations and human-machine structures in the future mystical society,and reveals the truth that human society can not develop at the expense of losing self.

关 键 词：动画人类学 未来神秘主义 《攻壳机动队》 

分 类 号：J90-05[艺术—电影电视艺术]