祭祀戏剧的美学特征  

Aesthetic Characteristics of Sacrificial Drama

作　　者：李志远[1] Li Zhiyuan

机构地区：[1]中国艺术研究院戏曲研究所,北京100029

出　　处：《中国文学批评》2020年第2期87-94,159,共9页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金重大项目“美学与艺术学关键词研究”(17ZDA017)阶段性成果。

摘　　要：祭祀戏剧是指在祭祀空间内以祈福纳吉、逐凶驱邪为目的而进行的兼具仪式性与戏剧性的祭祀过程,在这个过程中有的环节仪式性强些,有的环节戏剧性强些,但整体表现出祭祀神秘性、宗教性的减弱和观众普遍以文艺娱乐心态视之的趋向,其外延主要包括傩戏、目连戏、赛戏等。祭祀戏剧作为一种独立存在的戏剧类型,有着自身的美学特征,主要表现为具有强烈的实用色彩、融仪式性与戏剧性于一体、外在形态上朴拙与雅致共存、表演的原生性与程式性共生和内部结构的延展性五个方面。Sacrificial drama refers to ritual and dramatic sacrificial process in sacrificial space for the purpose of praying for good fortune and driving away evil spirits.In this process,some links are more ritualistic and some are more dramatic,but the whole shows the decrease of the mystery of sacrifice and religion,and the tendency that the audience generally views it as entertainment.As an independent type of drama,the sacrificial drama has its own aesthetic characteristics,which are mainly manifested in five aspects:strong practical inclination,integration of ritual and drama,coexistence of simplicity and elegance in external form,coexistence of originality and stylization in performance,and extension of internal structure.

关 键 词：祭祀戏剧 仪式性 戏剧美学 

分 类 号：I20[文学—中国文学]