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作 者:肖武雄[1] 张蒙 Xiao Wuxiong;Zhang Meng(Capital Normal University,Beijing 100048)
机构地区:[1]首都师范大学,北京100048
出 处:《新疆艺术学院学报》2020年第1期22-29,共8页Journal of Xinjiang Arts University
基 金:2018年教育部人文社会科学研究规划基金资助项目“基于南北竹笛的频谱差异研究”(18YJA760065)。
摘 要:“冒顿潮尔”是流传于新疆阿勒泰地区蒙古族的管乐多声部音乐形式,因其特殊的吹奏方式、喉音管音叠置发声的特点备受关注,是草原游牧文化的结晶。频谱音乐作为20世纪末的一种新兴音乐流派,历来关注声音本身的特性,强调运用技术手段结合乐器本身的频谱特征组织音乐的旋律、和声、曲式、配器、复调。本文以蒙古族特有的冒顿潮尔为研究对象,提取其筒音的音源素材并深入分析其频谱属性。"Modunchor"(also named Hu Jia)is a multi-part music form of wind music,which is popular among the Mongol ethnic minority group in Aletay region of Xinjiang.It has attracted public attention because of its special way of playing and the characteristics of overlapping voice of guttural pipes.It is the crystallization of nomadic culture of grassland.As a new music genre at the end of the 20th century,spectrum music has always paid attention to the characteristics of sound itself,emphasizing the use of technical means combined with the spectrum characteristics of the instrument itself to organize the melody,harmony,musical form,orchestration,polyphony of music.In this paper,we take Mongol ethnic minority group's unique Modunchor as the research object,extract the sound generator material of its tone and analyze its frequency spectrum attributes deeply.
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