“一·二八”抗战的战地报道与文学反思  

War Story and Literary Reflection of the Resistance against Japan in Shanghai in 1932

作　　者：冷川[1] LENG Chuan(Institute of Literature,Chinese Academy of Social Sciences,Beijing 100732,China)

机构地区：[1]中国社会科学院文学研究所,北京100732

出　　处：《湘潭大学学报（哲学社会科学版）》2020年第3期137-145,共9页Journal of Xiangtan University:Philosophy And Social Sciences

摘　　要：1932年“一·二八”抗战爆发,此前民族主义文艺运动的骨干作家,如黄震遐、张若谷、万国安等,以《大晚报》《时事新报》为中心从事战地报道,产生了巨大社会影响,直接影响到人们对此段历史的记忆方式。此战地报道之实践为抗战全面爆发时报告文学热潮之先声;但在塑造英雄、激荡民气的同时,亦有夸大战果,将残酷战场情境传奇化之倾向。反倒是在战后以此题材创作的小说中,作者对战事之艰难、中国军队牺牲之惨烈,有更为切实的描写。这一“错位”,为我们理解历史与文学、纪实体裁和虚构体裁之互文关系,提供了极具启发性的案例。The writes of nationalist literary movement such as Huangzhenxia,Wanguoan,Zhangruogu,took the war story about Shanghai resistance against Japan through Evening news and New Paper on Current Affairs in 1932.The works have taken a huge social impact which formed a view about the war and heralded the boom of reportage when the war of resistance against Japanese aggression broke out in 1937.The works mounded heroes and inspired people,and at the same time,they also exploited the victory and took the cruel facts on the battlefield as legends.What's striking is that the novel The destruction of Shanghai by Huangzhenxia after the war,took a real description on the tragedy on the battlefield and casualties of the Chinese Army.The war story and the novel provided an opportunity to rethink the relationship about the history and literature.

关 键 词：“一·二八”抗战 报告文学 黄震遐 《大晚报》 《大上海的毁灭》 

分 类 号：I206[文学—中国文学]