森鸥外《情欲生活》与明治学生中的“男色”文化  

A View of Nanshoku Culture among Students in the Meiji Period from Mori Ogai’s Vita Sexualis

作　　者：李庆保[1,2] LI Qing-bao(School of foreign languages,Anhui Agricultural University,Hefei 230036,China;Department of Foreign Languages,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]安徽农业大学外国语学院,安徽合肥230036 [2]北京语言大学外国语学部,北京100083

出　　处：《南昌师范学院学报》2020年第1期112-117,共6页Journal of Nanchang Normal University

基　　金：安徽农业大学繁荣发展哲学社会科学基金一般项目“森鸥外的创作历程与创作思想研究”,编号:2017zs24。

摘　　要：男色现象最早始于寺院的僧侣间,经贵族社会渗入武士社会后,逐渐成为武士文化的一部分,在战国和江户前期迎来了最盛期。然而武士社会的男色文化并没有随着武士阶层的消亡而消逝,而是在明治时代的学生群体中得到了继承。文章以森鸥外的自传体小说《情欲生活》为线索,通过对作品主人公亲身经历的梳理,再现了明治学生中的男色文化,并探讨了其背后的存在逻辑。Nanshoku(male homosexuality) originated from homoerotic relationships among monks in Buddhist monasteries, and it gradually became a part of the samurai culture after having penetrated into the samurai society through the aristocratic society. It ushered in its peak in the Warring States Period and the early Edo Period. However, the Nanshoku culture in the samurai society did not disappear with the destruction of the samurai class. Instead, it was inherited by the students in the Meiji Era. Taking Mori Ogai’s autobiographical novel Vita Sexualis as a clue, this paper attempts to reconstruct the Nanshoku culture among students in the Meiji Era and explore the logic of its existence through introducing the hero’s personal experiences.

关 键 词：男色 明治学生 《情欲生活》 森鸥外 

分 类 号：I313.074[文学—其他各国文学]