清代“新正重华宫茶宴联句”考论  

A Research in“Joint-sentence Poetry Composition at Chong-hua Palace’s New Year Tea Banquet”in Qing Dynasty

作　　者：于小亮[1] 朱万曙[1] YU Xiao-liang;ZHU Wan-shu

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《苏州大学学报（哲学社会科学版）》2020年第2期123-130,192,共9页Journal of Soochow University(Philosophy & Social Science Edition)

摘　　要：清代乾嘉时期的新正重华宫茶宴联句,是由皇帝亲自主持,每岁定期举办的君臣唱和活动,绵延数十年,是清代一项重要的宫廷文学活动。该联句唱和在开始时为现场举行,但从乾隆十年起,由现场写作转变为预先制备,实为名不副实的“联句”创作。联句诗的文本结构和规模日益扩张,由最初的五言排律变为七言排律,参与联句之人为皇帝、大臣和王族。与历代宫廷文学相比,清代宫廷联句活动具有更为突出的政教色彩,特别是不在现场的“预拟”写作,使得该活动成为一次次的“文学表演”,被纳入了清王朝的政治文化建构之中。The joint-sentence poetry composition activity at Chong-hua Palace’s new year tea banquet was hosted by the emperor himself during the Qianlong and Jiaqing Period of Qing Dynasty.The monarch-minisiter festivity organized annually for decades was an important court literary activity in the Qing Dynasty.This joint sentence poetry writing and chanting activity was an improvised performance at the beginning,but from the tenth year of the Qianlong era onwards,the form was changed to be pre-prepared,which was then a fake“joint sentence”composition.The textual structure and scale of the poems expanded from the original five-syllable to the seven-syllable,participated by emperors,ministers,and other royalities.Compared with the court literature of the Qing Dynasty,this poetry composition activity of the Qing Dynasty had more prominent political and religious purpose,especially the off-site“pre-drafting”writing,which made the activity a regular“literary performance”and was incorporated into the political and cultural construction of the Qing Dynasty.

关 键 词：重华宫茶宴 联句诗 文学表演 

分 类 号：I207.22[文学—中国文学]