2019年度日本戏剧回顾  

A Review of the 2019 Japanese Theatre

作　　者： 高韵(译)  Shichiji Eisuk trans;Gao Yun;Lizuka Yutori

机构地区：[1]不详 [2]南开大学文学院 [3]日本中央大学文学部

出　　处：《戏剧（中央戏剧学院学报）》2020年第2期70-82,共13页Drama:The Journal of the Central Academy of Drama

摘　　要：由于东京奥运会的原因,日本政府希望以此为契机打造一场文化盛典,因而进一步增加了在艺术文化领域的预算。国公立剧场在政府扶持下产出了许多优秀剧目,民营剧团则在拨款缩减、观众流失的危机中积极寻求出路与转向。回顾2019年的日本剧场,"福岛三部曲"《"Q":歌舞伎之夜》等原创剧备受瞩目,翻译、改编剧成果颇丰,国际合作戏剧、国际戏剧节的数量也有大幅增长。本文围绕日本2019年的优秀演出展开评述,从多方面介绍、呈现当代日本戏剧演出的情况。Because of the Tokyo Olympic Games,the Japanese government hopes to take this opportunity to create a cultural festival,thus further increasing its budget in the field of art and culture.State-owned theatres produce many excellent plays with the support of the government,while private theatres actively seek their solution and turn in the crisis of funding reduction and audience loss.Looking back at the Japanese theater in 2019,the original plays such as Fukushima Trilogy and"Q":A Night of Kabuki have attracted much attention;the translation and adaptation of plays are fruitful;and the number of international cooperative dramas and international theatre festivals has also increased significantly.This article reviews the outstanding Japanese performances in 2019,and introduces and presents the performance of contemporary Japanese theatre from various aspects.

关 键 词：日本戏剧演出 民营剧团 国公立剧场 翻译剧 国际戏剧节 

分 类 号：J83[艺术—戏剧戏曲]