《平原上的夏洛克》:最后一公里的乡村探案之路  

Summer Detective:The Urban-rural Relationship in the Last Mile of Country Mysteries

作　　者：魏然 Wei Ran

机构地区：[1]中国社会科学院外国文学研究所

出　　处：《电影艺术》2020年第3期71-73,共3页Film Art

摘　　要：《平原上的夏洛克》聚焦于乡村主体面临现代性的负面效应时所做的三次经济选择,除揭示农村基层生活的弹性之外,影片试图维护人们对乡村生活体系的信心。影片中的基层生活方式虽显匮乏,但不失韧度和趣味,其影像风格也模拟了大众艺术的简易却有效的一面,呼应了"不完美电影"的美学旨趣。但影片叙事内部未能提供村庄文化再生产的线索,反而导向了效仿全球中产阶级观看乡村的路径,即将乡村视为逃避城市喧嚣的隐退之地。Summer Detective focuses on three economic choices made by rural subjects when they are facing with the negative effects of urban modernity.Revealing the flexibility of rural life,the film tries to rebuild and maintain the confidence in the rural life system,which,in its representative structure,is deficient,but hasn’t lost toughness and organic characters.The representative style also imitates the simple but effective dimension of popular art,echoing the political aesthetics of Imperfect Film termed by Julio Espinosa.However,the narrative fails to provide clues to the reproduction of the rural culture;meanwhile it easily follows the global middle-class perspective to watch the countryside as a retreat from the urban modernity.

关 键 词：城乡关系 现代性 不完美电影 

分 类 号：J905[艺术—电影电视艺术]