2019年世界纪录片发展态势  

Development Situation of World Documentary in 2019

作　　者：喻溟[1] Yu Ming

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《电影艺术》2020年第3期105-112,共8页Film Art

基　　金：北京师范大学学科交叉建设项目“跨文化语境下中国纪录片品牌建构与国际传播”阶段性成果。

摘　　要：2019年流媒体继续攻城略地,传统媒体不得不纵横联合扩大生存空间,并陆续建立自己的流媒体平台。新的竞争对手蜂拥而至,正逐渐侵蚀奈飞的商业模式,使其在美国增长触壁,更加关注国际扩张。英法日韩等国公共广播与私营广播放下彼此竞争,创立流媒体国家队,保卫"文化主权",一场大战正在升温。而全球的纪录片留下了这一年人类抗击病毒、追忆历史以及仰望太空的共同记忆。Streaming media continued its territorial expansion in 2019,while traditional media had to join hands to enlarge their living space and set up their own streaming platforms.These new players,in their great numbers,challenged Netflix’s business model and put a ceiling to its subscriber increase,forcing it to focus more on its global expansion.Public and private broadcasting in the UK,France,Japan,and Korea,regardless of their previous conflicts,set up nationwide streaming platforms to protect"cultural sovereignty".All these indicated that a battle was heating up.To sum up,global documentaries in 2019 left shared memories of defending COVID-19,looking into the past and up into the universe.

关 键 词：流媒体纪录片 病毒大流行纪录片 自然史纪录片 登月 诺曼底登陆 

分 类 号：J952[艺术—电影电视艺术]