革命女性记录革命:1949年前后女编导的纪录片创作  

Revolutionary Women Recording Revolution:Documentary Filmmaking of Female Directors around 1949

作　　者：钟大丰[1] Zhong Dafeng

机构地区：[1]北京电影学院文学系

出　　处：《电影艺术》2020年第3期156-160,共5页Film Art

摘　　要：张建珍、高维进、石梅、吴国英作为中国最早成批出现的女性编导,在她们的革命记录电影中展现出独特的叙事表述和创作观念,以及女性创作者对生活独特的观察和体现方式。对于女性作者在表现时代政治性主题时的细节化、情感化和故事化等创作特点进行梳理的同时,也对纪录电影中故事化叙事和性别呈现等方面进行一些探讨。希望能为对新中国纪录电影的认识带来某些启示。Through the creation of several female documentary directors around 1949,this paper analyzes the narrative expression and creative concept in the early revolutionary documentary films and the unique observation of female filmmakers on life and their means of expression.This paper combs the composition characteristics of female filmmakers:their documentary films express the political themes of the era,such as details,emotions and stories.It also discusses the narrative and gender presentation in these films,aiming to bring enlightenment to the understanding of PRC’s documentary films.

关 键 词：女性革命纪录片 细节化 情感化 故事化 再现 

分 类 号：J952[艺术—电影电视艺术]