拂子、牡丹与样式:《簪花仕女图》研究拾遗三题  

Three Issues About the Research of Beauties Wearing Flowers

作　　者：欧佳[1] 王化平[2] OU Jia;Wang Huaping

机构地区：[1]西南大学汉语言文献研究所,重庆400715 [2]西南大学汉语言文献研究所、出土文献综合研究中心,重庆400715

出　　处：《南京艺术学院学报（美术与设计）》2020年第2期14-22,I0002,共10页Journal of Nanjing Arts Institute:Fine Arts & Design

摘　　要：对于《簪花仕女图》这一传世仕女画的重要作品,前贤时修已有诸多高论,然仍存未尽之处。本文主要讨论了关于此画尚待深入的三个问题:一是考论画中所绘拂子的名称、性质、用途等,指出其应属唐末五代时的女子弄器。二是对画中女侍所执长柄团扇扇面"牡丹图"的辨析,考辨其并非唐代常见的轴对称式样,而更似写生花木。三是尝试论证了《簪花仕女图》与"周昉传派"的关系,认为此画应未能代表周昉所绘仕女样式,也难称是其传派的作品。There were many studies on Beauties Wearing Flowers(《簪花仕女图》),an important work handed down from generation to generation,but there are still some problems.This paper discusses three problems that need to be further studied about this painting:First,this paper studies the name,nature and use of the fly whisk in the painting,pointing out that it should belong to the women's Nongqi(弄器)in the late Tang Dynasty and the Five Dynasties.Second research is the analysis of the peony painting of the large fan with a long handle held by the waitress in the painting,and prove that it is not a common axisymmetric style in the Tang Dynasty,but flowers and trees of drawn from life.The third study is to demonstrate the relationship between Beauties Wearing Flowers and the sect of Zhou Fang.It is believed that the painting should not represent the style of the lady painted by Zhou Fang,nor be called the work of the sect.

关 键 词：《簪花仕女图》 拂子 扇面花木 周昉传派 

分 类 号：J209[艺术—美术]