叙事文化学研究中的中国学术精神  

The Chinese Academic Dogmas in the Study on Chinese Narrative Culture

作　　者：连心达 Lian Xinda

机构地区：[1]登尼森大学现代语言文化系,俄亥俄格兰维尔43023

出　　处：《南开学报（哲学社会科学版）》2020年第3期128-138,共11页Nankai Journal:Philosophy,Literature and Social Science Edition

摘　　要：叙事文化学在两个方面体现了中国传统人文精神:亦即对经验的高强度直接感知和对大结构、大关系的有机整体把握。作为一种内涵丰富的“文化因子纽结”,故事主题类型为旨在揭示民族文化心理、价值取向、审美习惯和思维方式的研究工作提供了新材料、新角度,开启了新可能。An intense direct consciousness of literary experiences and a holistic grasp of macro-structure in Chinese literature are the distinctive features of the traditional Chinese humanities in“the Study on Chinese Narrative Culture”,advocated by Ning Jiayu,which focuses on the categories of stories.As“the nodes of cultural genes”,the thematic categories of stories aim at offering a new perspective for investigating the national cultural psychology,value orientation and aesthetic judgment in the Chinese literary tradition.

关 键 词：对文学经验的高强度直接感知 有机整体观 传统中国学术精神 

分 类 号：I206[文学—中国文学]