论《奥菲奥》中叙事情节的神话模式  

On the Mythological Pattern of the Narrative Plot in Orfeo

作　　者：代兆凤 王振平[1] Dai Zhaofeng(School of Foreign languages,Tianjin University of Science and Technology,Tianjin 300222,China)

机构地区：[1]天津科技大学外国语学院,天津300222

出　　处：《外国语文研究》2020年第2期34-43,共10页Foreign Language and Literature Research

摘　　要：2019年普利策小说奖获得者,美国当代著名作家理査德·鲍尔斯的小说《奥菲奥》形式恢弘、话语独特、结构精巧、意义深远。作家通过在叙事情节结构方面对"奥菲奥"神话原型的巧妙运用,让主人公--当代"奥菲奥"--在遭遇卡夫卡式的危难后不断"回头",重新思考自我追寻之历程以及"后9·11"时代个人与社会的生存之路,并对社会变迁、科技发展、人性变异发出了自己的灵魂拷问。The novel Orfeo,written by the famous contemporary American writer Richard Powers who is the 2019 Pulitzer Prize winner for Fiction,is of great form,unique in discourse,exquisite in structure and thought provoking.In the face of the personal Kefkaesque experience,the protagonist characterized by the contemporary Orfeo,constantly“turns back”and rethinks the course of self-pursuit and the way of social survival in the“post-9/11”era as the author skillfully uses the mythological archetypes of Orfeo in the aspect of narrative plot.The author sincerely issues his interrogation towards social changes,the development of science and technology,and the variation of human nature.He tries to seek for the way of the modern society development by using ancient metaphors.

关 键 词：《奥菲奥》 叙事情节 神话模式 “后9·11” 

分 类 号：I712.074[文学—其他各国文学]