文人意识与农民意识的互动——中原画派艺术生产的文化理念与审美向度  

Integration of Literati Consciousness and Peasant Consciousness:Cultural Concepts and Aesthetic Orientation of Central Plain Painting School’s Artistic Creation

作　　者：文静[1] WEN Jing(School of Art Design,Anhui Business and Technology College,Hefei 230041,China)

机构地区：[1]安徽工商职业学院艺术设计学院,安徽合肥230041

出　　处：《安徽农业大学学报（社会科学版）》2020年第3期101-105,共5页Journal of Anhui Agricultural University:SOC.SCI.

摘　　要：作为当代艺术领域颇具代表性的创作派别,中原画派凭依其独特的地域特征与艺术风格形构了典范的审美范式与传承谱系,其基于农民意识的文化情怀与创作底色以及文人化的艺术生产理念与审美向度构成这一画派及其画风的双向制约机制,形成了中原画风特有的文人与农民意识的视觉互动,由此折射出艺术生产与地域文化潜在的逻辑关联及其生态意义。As a typical group of contemporary art,the Central Plain Painting School bases itself on its unique regional characteristics and artistic style,and forms a typical aesthetic paradigm and a typical inheriting system.Besides,the cultural feelings and artistic creation out of peasant consciousness as well as the artistic creation concepts and aesthetic orientation of literati,constitute a two-way restriction mechanism for the school and its painting style,and lead to a unique visual integration of literati consciousness and peasant consciousness in its painting style,which reflects the potential logical connection between artistic creation and regional culture,and the ecological significance of the connection.

关 键 词：中原画派 中原画风 文人意识 农民意识 现代性 

分 类 号：J205[艺术—美术]