零度写作下情感如何存在——追问《故事新编》的特殊不及物性  

How Emotions Exist Under Zero Writing——Asking About the Special Intransitivity of Old Tales Retold

作　　者：王治涵 WANG Zhi-han(School of Literature,Shandong University,Jinan 250100,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《信阳农林学院学报》2020年第2期57-61,共5页Journal of Xinyang Agriculture and Forestry University

摘　　要：二元对立是结构主义批评的中心思想,笔者将借之以探讨《铸剑》中的人物塑造,尔后运用功能和序列来解读鲁迅作品呈现出的环形结构的叙事迷宫,并补充说明同种模式下第三人物的辅助作用。在人物与结构分析的基础上,将进一步借助结构主义批评中较少用到的“零度写作”观念,探讨小说在整体意义上如何将零度形式与非零度情感成功融合,在对小说特殊的不及物性质的追问中发掘鲁迅先生的文学观念和思想表述技法。Structuralist criticism,with its focus on exploring the relationship between the constituent elements of a literary work,is characteristic of the formal critical method,and this paper will draw on this theories to study Lu Xun's Old Tales Retold.Binary opposition is the central idea of structuralist criticism,and I will use this to explore characterization in the Sword,and then use function and sequence to unpack the circular structure of the narrative labyrinth presented by Lu Xun's work,and add an explanation of the auxiliary role of the third character in the same mode.Based on characters and structure,this paper will further make use of the concept of"zero writing",which is rarely used in structuralist criticism,to explore how the novel as a whole successfully integrates zero-degree form with non-zero emotion.And it is a great opportunity to discover the literary concepts and techniques of thought presentation of Lu Xun in an interrogation of the novel's particular intransitivity.

关 键 词：结构主义批评 《故事新编》 二元对立 环形结构 零度写作 

分 类 号：I246[文学—中国文学]