试论中国现当代文学史上的农民形象  

Farmer Images in Modern and Contemporary Chinese Literature History

作　　者：刘江[1] LIU Jiang(Academic Research Office,Liuzhou Railway Vocational Technical College,Liuzhou 545616,China)

机构地区：[1]柳州铁道职业技术学院,广西柳州545616

出　　处：《辽东学院学报（社会科学版）》2020年第3期84-92,共9页Journal of Liaodong University：Social Science Edition

摘　　要：对于中国现当代文学史上的农民形象,应该把他们置于整个中国文学和世界文学的格局中加以多方面的考察。这样我们就可以发现:阿Q、闰土、祥林嫂是中国和世界文学史上第一批展示国民性弱点的农民形象;朱老忠是中国文学史上第一个无产阶级革命农民英雄典型;梁三老汉、严志和是中国文学史上最早体现社会变革时期农民犹豫、纠结心态的典型;李双双、张腊月、吴淑兰是世界文学史上第一批农民妇女主人翁形象。这些农民形象都有浓厚的政治色彩,但又栩栩如生,这是由作家的创作思想和生活体验所造成的。这些农民形象绝不仅仅是文学形象本身,而且还是中国现当代作家心智的体现。The farmer images in history of modern and contemporary Chinese literature should be studied in the field of both inside and outside Chinese literature.It was found that Ah Q,Runtu and Mistress Xianglin were the first batch of farmer images in both Chinese and world literature history that showed the weakness of nationality.Zhu Laozhong was the first representative of the proletariat farmer heroes in Chinese literature history.Old Man Liang Shang and Yan Zhi were the models of the farmers with entanglement psychology in the early period of social reform in Chinese literature history.Li Shuangshuang,Zhang Layue and Wu Shulan were the first group of female masters in the world literature history.With strong political complexion and living description,these farmer images were created by the writers with their idea and life experience.They are not only just literary images,but also mental embodiment of modern and contemporary Chinese writers.

关 键 词：中国现当代文学 农民形象 性格核心 文化内涵 文学史意义 

分 类 号：I206.6[文学—中国文学] I206.7