论六朝文论中的“意”概念  

On the Concept of “Meaning”in Literary Theory of Six Dynasties

作　　者：袁济喜[1] YUAN Jixi(School of Classics,Renmin University of China,Beijing 100872)

机构地区：[1]中国人民大学国学院,北京100872

出　　处：《中国人民大学学报》2020年第3期1-12,共12页Journal of Renmin University of China

摘　　要："意"是中国哲学与文学的重要概念与基本范畴,先秦时期的思想家在《周易》《庄子》中已经有了相关论述。汉魏六朝时期,在文学批评与创作领域中,"意"的范畴与概念开始进入相关领域,在《诗品》与《文心雕龙》等文论巨典中,开始自觉地运用"意"这个概念与范畴来进行作品批评与构思问题的论述。在唐宋之后,产生了意象与意境等相关范畴,但是"意"作为元范畴与元概念,仍然得到广泛的运用与拓展,影响到明清诗学的构建。"Meaning"is an important concept and basic category of Chinese philosophy and literature,originated from thinkers in the pre-Qin period.Relevant discussions had appeared in Zhou Yi and Zhuang Zi,In the period of Han,Wei and Six Dynasties,in the field of literary criticism and creation,the category and concept of meaning began to enter the relevant fields.In the great classics of literary theory such as Shi Pin and The Literary Mind a?id the Carving of Dragons,the concept and category of meaning began to be consciously used to discuss the problems of literary criticism and conception.After the Tang and Song Dynasties,image and artistic conception came into being,but as a meta-category and meta-concept,“meaning”was still widely used and expanded,affecting the construction of poetry in the Ming and Qing Dynasties.

关 键 词：言意关系 人格境界 意的平移 文论创变 

分 类 号：I206.2[文学—中国文学]