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作 者:郭一鸣 GUO Yi-ming(School of Liberal Arts,Hebei University,Baoding Hebei 071000,China)
出 处:《河北软件职业技术学院学报》2020年第2期65-68,共4页Journal of Hebei Software Institute
摘 要:宋刻本《会稽三赋》有三卷本,也有不分卷本。相比较不分卷本,三卷本较少有人提及,有的学者把这两种版本混为一谈,甚至有的则认为三卷本不存在。傅增湘认为该三卷本现存于日本静嘉堂文库,但从《静嘉堂秘籍志》《日藏汉籍善本书录》的著录来看,静嘉堂所藏三卷本与黄丕烈旧藏特征并不相同,一是著录册数不同,二是著录版式不同。另外,《静嘉堂秘籍志》《日藏汉籍善本书录》中所引用的黄丕烈跋文延续了陆心源《皕宋楼藏书志》的错误,均把“往”字错写为“注”字。There are three volumes of the Song Dynasty engraving version of"Kuaiji SanFu".Compared with non-volume edition,three-volume edition is seldom mentioned.Some scholars mix the two versions into one,while others think that the three volumes do not exist.Fu Zengxiang believed that the three-volume version existed in the Jingjiatang library of Japan,However,from the"Jingjiatang Mi Ji Zhi"and"The Rare Book Records Of Chinese Books Collected In Japan",it can be seen that the three volumes collected in Jingjiatang have different characteristics from Huang Pilie's old collection,first,the number of catalogues is different,and second,the format is different.In addition,the referenced Huang Pilie’s postscript in"Jingjiatang Mi Ji Zhi"and"The Rare Book Records Of Chinese Books Collected In Japan",continued the Lu Xinyuan’s error in“Bi Song Lou Cang Shu Zhi”,all wrongly wrote the word"wang"as"zhu".
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