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作 者:单铎 Shan Duo(Conservatory of music,Huaibei Normal University,Anhui Huaibei 235000)
出 处:《山东农业工程学院学报》2020年第6期99-100,115,共3页The Journal of Shandong Agriculture and Engineering University
基 金:2019年度安徽省高校人文社科研究一般项目为《传统戏曲音乐的当代转化研究》,项目号为2019SK19。
摘 要:东方戏曲音乐强调时代精神,这是长时间以来,文艺发展所面临的新挑战。其中,传统戏曲音乐的当代转化是现阶段需研究的理论问题。在创新与创造性的政策方针引领下,传统戏曲音乐的当代转化和可持续发展需基于"戏曲现代化"概念进行分析和探索,传统不可作为衡量当代戏曲音乐的标尺,当代戏应积极与新编戏构建理论话语及评价制度。传统戏曲音乐想要顺利完成当代转化,要从态度立场、价值取向、表演形态上入手,重构戏曲音乐发展体系与模式,推动传统戏曲音乐的当代进步。Oriental Opera Music emphasizes the spirit of the times,which is a new challenge for the development of literature and art for a long time.Among them,the contemporary transformation of traditional opera music is a theoretical issue to be studied at this stage.Under the guidance of the policy of innovation and creativity,the contemporary transformation and sustainable development of traditional opera music need to be analyzed and explored based on the concept of"opera modernization".Tradition cannot be used as a yardstick to measure contemporary opera music.Contemporary opera should actively build theoretical discourse and evaluation system with new opera.In order to successfully complete the transformation of traditional opera music,we should start with the attitude,value orientation and performance form,reconstruct the development system and mode of traditional opera music,and promote the contemporary progress of traditional opera music.
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