为爱而声之卡拉斯:歌剧《茶花女》历史录音的计算机可视化分析  

Callas Singing for Love:A Computer-Assisted Study on the Historical Recordings of La Traviata

作　　者：黄莺 罗楚然 HUANG Ying;LUO Churan(Department of Music Education, Shanghai Conservatory of Music, Shanghai 200031, China;Department of Music Engineering, Shanghai Conservatory of Music, Shanghai 200031, China)

机构地区：[1]上海音乐学院音乐教育系,上海200031 [2]上海音乐学院音乐工程系,上海200031

出　　处：《复旦学报（自然科学版）》2020年第3期253-261,285,共10页Journal of Fudan University：Natural Science

基　　金：上海市音乐声学艺术重点实验室合作项目(SKLMA-2020-01)。

摘　　要：利用Vmus.net等计算机可视化和定量分析工具,探讨了女高音歌唱家玛丽亚·卡拉斯(Maria Callas)在1951—1958年间主演的7版歌剧《茶花女》(La Traviata)的录音.通过速度力度曲线、IOI偏离度与声谱图等手段把这7个版本与其前辈、同时代人、后继者的录音进行比较,展现了卡拉斯在演唱中对时值与力度的独创性的灵活处理、关联性音乐材料的长距离结构听觉把握以及对音色与气息的精准控制等方面的鲜明诠释特征,并进一步揭示这些特征在她黄金舞台生涯中日臻成熟的演化过程.With the computer-assisted and quantitative analysis tools such as Vmus.net,this paper explores all seven recordings of the opera La Traviata starring Maria Callas from 1951 to 1958.Comparing with the recordings by her predecessors,contemporaries,and successors by means of tempo-dynamic curves,IOI deviations,and spectrograms,the interpretation by Callas shows the original flexibility of timing and dynamic,long-distance hearing and structuring of related music materials,and precise control of timbre and breathing.These features evolved during her golden era of stage career.

关 键 词：卡拉斯 薇奥列塔 威尔第 茶花女 Vmus.net 实证分析 

分 类 号：J61[艺术—音乐]