当代藏族女作家汉语创作概略  

Introduction to Contemporary Tibetan Women Writers' Chinese Writing

作　　者：徐寅 Xu Yin(School of Humanities,Tianjin University of Finance and Economics,Tianjin,002227 China)

机构地区：[1]天津财经大学人文学院,天津30022

出　　处：《西藏研究》2020年第2期153-160,共8页Tibetan Studies

基　　金：2017年天津市哲学社会科学规划青年基金项目"多元文化影响下的当代藏族作家汉语创作研究"(项目编号:TJZWQN17-002)阶段性成果。

摘　　要：当代藏族女作家汉语创作一方面开辟了藏族女性集体从事文学创作活动的先河,另一方面,她们在不同阶段所体现出的创作特征亦基本符合了中国当代主流文学所具备的特征。与此同时,这些藏族女作家们不断摸索着在族裔、宗教、性别等多元维度之间建构创作特色和精神独立的可能性。藏族女作家们的这种努力大致呈现出了四个历史阶段的分期和特点归类,她们的汉语创作也经历了由初兴到嬗变的过程。On the one hand,the Chinese writing of contemporary Tibetan women writers has opened up a precedent for Tibetan women to engage in literary creation activities. On the other hand,their creative characteristics at different stages are basically in line with the characteristics of contemporary Chinese mainstream literature. At the same time,these Tibetan women writers continue to explore the possibility of constructing creative features and spiritual independence between multiple dimensions such as ethnicity,religion,and gender. This kind of efforts made by Tibetan women writers roughly shows the classification and characteristics of the four historical stages. Their Chinese writing has also undergone a process from initial development to transformation.

关 键 词：当代 藏族女作家 汉语创作 

分 类 号：I29[文学—中国文学]