启蒙与革命--茅盾如何创作《虹》  

Enlightenment and Revolution--On the Rainbow by Mao Dun

作　　者：季可盈 张均[1] Ji Keying;Zhang Jun(Sun Yat-sen University)

机构地区：[1]中山大学中文系

出　　处：《写作》2020年第2期85-96,共12页Writing

基　　金：国家社会科学基金项目“中国当代文学本事文献的整理与研究(1949—1976)”(项目编号:14BZW128)。

摘　　要：1929年,经历大革命失败并对革命产生犹疑情绪的茅盾在重振革命信心以后,主要以胡兰畦为原型创作了小说《虹》及其主人公梅行素。为表达积极情绪并向文坛证明自己,茅盾从"启蒙"与"革命"两个层面对胡兰畦的本事材料进行了必要的增删与虚构。这表现在,为提供启蒙展开的场域与合法性,茅盾将早期梅女士改造为懵懂青年的形象,并将其所处的环境消极化。与此同时,由于茅盾特殊的凸显马克思主义的创作心理,《虹》以革命的"人在历史中成长"的叙事设置,对梅女士在上海以后的人生予以叙写,使之成为茅盾自身革命思考与早期中国革命的见证。Depressed by the failure of the National Revolution, Mao Dun rebuilt confidence of revolution in 1929, thus wrote the novel Rainbow and created the main character MEI Xingsu relying on real-life sources. To express the confidence and improve his loyalty, Mao Dun properly treated the real-life sources and fabled the story from two aspects:enlightenment and revolution. He set MEI Xingsu as an ignorant young girl in feudal and isolated environment to legitimate the enlightenment. In order to magnify Marxism, Rainbow takes the narrative mode of revolution literature that man grows in the development of history, fables MEI Xingsu’s later development in Shanghai, which is the improvement of early Chinese revolution and Mao Dun’s thought about it.

关 键 词：茅盾 《虹》 人物本事 成长小说 

分 类 号：H315[语言文字—英语]