日暮乡关何处是:民初清遗民诗歌中的故乡书写  

Where is the Hometown at Dusk:Hometown Writing in the Poems of QingDynasty’s Adherents in the Early Republic of China

作　　者：陈义报 CHEN Yibao(Journal Editorial Department,Huzhou University,Huzhou 313000,China)

机构地区：[1]湖州师范学院学报编辑部,浙江湖州313000

出　　处：《湖州师范学院学报》2020年第5期77-83,共7页Journal of Huzhou University

基　　金：浙江省哲学社会科学规划课题“民初遗民诗研究(19121928)”(16NDJC087YB)成果之一。

摘　　要：前现代文学中的故乡书写在书写风貌及抒情指向上相沿成习,很少变化。与之不同,清民鼎革,大量清遗民“有乡而归不得”,流聚上海等租界城市,他们由传统的四民社会被抛入一个完全异质的现代都市中,他们的故乡书写没有了前现代诗歌中的那份纯净与安详,而是充满了传统与现代、乡村与都市、中与西的紧张与对立。同时,他们以强烈的遗民姿态,在回乡扫墓与帝京书写中打通过去与现在、故乡与故国,使得故乡书写超越了地理学和空间意义上的狭窄范畴,有了一点现代性的意味,但是又没有达到现代作家故乡书写中那种“现代性的无家可归”的境界,界于前现代与现代中间,呈现出明显的过渡性色彩。The writing style and lyric direction of hometown in the classical literature are the same,and it rarely changes.Different from that,the hometown writing by the Qing Dynasty’s adherents during the revolution of the Qing Dynasty was full of tension and opposition between tradition and modern,rural and urban,and central and western,and the adherents“had their hometown but could not return”.They migrated to Shanghai and other concession cities,and they were thrown into a completely heterogeneous modern city from the traditional four people’s society.At the same time,with a strong attitude and identity,the adherents opened up the past and the present,the hometown and the hometown in the writing of returning home to visit tombs and imperial capital,which makes the hometown writing go beyond the narrow scope of geography and space,and it has a little modernity.However,it does not reach the state of“modern homeless”in the writing of modern writers’hometown.It is between pre modern and modern,showing a clear transitional color.

关 键 词：民初 清遗民 故乡书写 现代都市 

分 类 号：I222.7=6[文学—中国文学]