昆曲电影与昆曲电影化——1956年昆曲电影《十五贯》的电影化研究  

Kunqu Opera Movies and Kunqu Opera Filmization——A Study of the Filmization of Kunqu Opera Movie Fifteen Strings of Cash

作　　者：姜来 JIANG Lai

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《民族艺林》2020年第1期39-44,共6页Journal of Ethnic Art

摘　　要：文章以1956年昆曲电影《十五贯》为主要研究对象,还原其电影化历程与结果。从历史资料与电影作品两方面切入,探讨昆曲电影与昆曲电影化之间的区别和联系。并引入石挥导演的《天仙配》作为对比,考察戏曲电影在当时历史语境下所面临的共同问题。从实践的角度,分析《十五贯》作为昆曲电影,及其电影化的历史过程呈现出的得失与启示。Taking the Kunqu Opera film Fifteen Strings of Cash released in1956 as the main research object,the paper intends to restore its filming process and results.From the perspective of historical narration and the text of the movie,the differences and connections between Kunqu Opera films and Kunqu Opera filmization are explored.It also introduces Goddess Marriage directed by Shi Hui as a contrast to examine the common problems that opera films faced in the historical context at that time.From a practical point of view,this article analyzes the gains,losses,and enlightenments of Fifteen Strings of Cash as a Kunqu Opera film and its historical process of filmization.

关 键 词：昆曲电影 昆曲电影化 《十五贯》 《天仙配》 戏曲艺术片 

分 类 号：J90[艺术—电影电视艺术]