从性别视角重新解读参军救国的历史女英雄形象——以胶东红色戏剧家马少波作品中的女英雄为考察中心  

A Re-reading of the Historic Heroines from the Perspective of Sexuality:A Case Study of Two Dramas by Ma Shaobo

作　　者：张清芳 ZHANG Qing-fang(Hebei Normal University,Shijiazhuang 050024,China)

机构地区：[1]河北师范大学文学院,河北石家庄050024

出　　处：《山东女子学院学报》2020年第4期74-80,共7页Journal of Shandong Women＇s University

基　　金：国家社会科学一般项目“海外中国现当代文学研究中的中国形象的学术建构研究”(项目编号:18BZW151)。

摘　　要：胶东红色戏剧家马少波在中华人民共和国成立前创作了两部红色新编历史剧(京剧)《木兰从军》和《闯王进京》,精心塑造出花木兰和红娘子两位女英雄形象。从性别角度重新解读这两位女英雄的人生轨迹与心理演变过程,不但可在一定程度上勾勒出当时广大胶东农村妇女在普遍受到红色革命浪潮的感召后,积极走出家门参军救国,并在融入社会大潮流中实现个人价值及走向追求爱情婚姻自由的个人解放之路的历史发展轨迹,而且从中可看出当时必须弱化女性性别特征的时代性与必然性。Jiaodong red dramatist Ma Shaobo created two new red historical dramas(Peking Opera)Mulan’Military Service and King Chuang Breaking into Beijing before the PRC was founded.The dramas elaborately shaped two heroines Hua Mulan and Red Wife who joined the army to serve the country and were followed by a lot of women in Jiao Dong in the 1940s.Re-reading two heroines’life traces and psychological processes from the perspective of sexuality,we can find history traces for personal freedom of women in Jiao Dong who positively go outside to join the army and to integrate into social tides to realize their values and preliminary pursuit of marital freedom after being inspired by the red revolutionary waves.We can also come to the fact that it is necessary for women in Jiaodong to weaken their female characteristics to adapt to their time.

关 键 词：胶东红色戏剧 女英雄 性别角度 

分 类 号：I207.3[文学—中国文学]