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作 者:魏梦雪 WEI Meng-xue(Zhejiang University,Hangzhou 310058,China)
机构地区:[1]浙江大学艺术与考古学院,浙江杭州310058
出 处:《山东女子学院学报》2020年第4期90-97,共8页Journal of Shandong Women's University
摘 要:尽管女性粉丝一直以来都是粉丝经济中的消费主力,但是近年来,女性偶像明星的女性粉丝却呈现出一种集体失语的状态。笔者通过对各大粉丝长达数月的田野观察、在网络上对7名女性粉丝进行的访谈发现,来自外界的压力和粉丝群体内部可能存在的伤害使女性粉丝选择了隐瞒自己的粉丝身份。并且,不同于男性粉丝对女性偶像明星的着迷凝视,她们始终是以一种清醒冷静的审视态度来看待女性偶像明星。这让她们始终游离于粉丝群体的边缘,最终成为房间里的大象。Although female fans have always been the main consumers in the fan economy,but in recent years,female idol stars’female fans actually present a kind of collective aphasia.In order to see through their actual conditions and their relationship with female idol stars,this article is based on a few months of field observation,online questionnaire and interviews with seven female fans.This study found that pressure from outside and possible harm from within the fan community let female fans choose to hide their fan identity.Moreover,unlike male fans who are fascinated by female idols,they always look at female idols with a sober and dispassionate attitude.This keeps them on the fringes of the fan community and ultimately makes them the elephant in the room.
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