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作 者:杨晨[1] YANG Chen
出 处:《浙江艺术职业学院学报》2019年第4期82-90,共9页Journal of Zhejiang Vocational Academy of Art
摘 要:浙江本省的抗战歌曲创作是二十世纪中国抗日救亡运动在社会各阶层全面铺开的写照,"大众化、民族化"是其最主要特点。当时全社会有志之士都积极参与了这一创作活动,其反映了大众歌曲在凝聚社会共识、动员社会力量、催动人民不畏强暴前赴后继地抵抗侵略方面所产生的巨大作用。这对我们音乐工作者在新时代强化自身创作的社会责任感、使命感有着重要启示。The creation of anti-Japanese war songs in Zhejiang Province is a portrayal of Chinese anti-Japanese na⁃tional salvation movement in all levels of society in the 20th century.“Popularization and nationalization”are its main characteristics.At that time,people with lofty ideals in the whole society actively participated in this creation activity,which reflected the great role of popular songs in gathering social consensus,mobilizing social forces,and urging the people to resist aggression without fear of power and violence.This has important implications for music workers to strengthen their sense of social responsibility and mission in the new era.
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