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作 者:杨鼎凯 李莉[1] YANG Dingkai;LI Li(School of Foreign Languages,Hubei Univ.of Tech.,Wuhan 430068,China)
机构地区:[1]湖北工业大学外国语学院,湖北武汉430068
出 处:《湖北工业大学学报》2020年第3期103-105,共3页Journal of Hubei University of Technology
基 金:湖北省教育厅社科重点项目(18D039);湖北工业大学人文社科委托课题(2017SW0303)。
摘 要:《东京女子图鉴》和《上海女子图鉴》均以都市女性为题材,讲述了受过现代高等教育的青年女性在都市生活中的蜕变。因中日文化背景、生存环境和个人性格等方面的不同,罗海燕在情感、职场、命运走向等方面与绫均表现出明显的差异。绫追求物质,以事业体现自我价值,命运带着悲剧色彩,罗海燕追求自由,用事业实现自我价值,事业爱情双丰收。罗海燕的都市励志女性形象是成功的,但是相对于原作而言,带有理想化色彩。With the theme of urban feminine,Women in Tokyo and Women in Shanghai recount the transformation of rural young women who have received modern higher education in metropolis life.Because of the differences in cultural background,living environment and personal character between China and Japan,Haiyan Luo has obvious difference from Ling in emotion,career and fate.Ling pursues material comfort,embodies self-worth with career,whose destiny is with tragic color;Haiyan Luo pursues freedom,realizes self-worth with career,which eventually has career and love.Haiyan Luo's image of urban inspirational feminine is successful.But compared with the original vision,it has idealized color.
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