儒道融合下的《吕氏春秋》音乐思想  

Music thought of Lu’s Spring and Autumn Annals under the Integration of Confucianism and Taoism

作　　者：邱秀花 Qiu Xiu-hua(College of Arts,Nanning Normal University,Nanning Guangxi 530000)

机构地区：[1]南宁师范大学文学院,广西南宁530000

出　　处：《河西学院学报》2020年第3期76-80,共5页Journal of Hexi University

摘　　要：《吕氏春秋》作为"杂家"的代表作,其学派属性和思想倾向在学术史上颇有争议,书中所含的音乐思想也多驳杂。通过深入分析《吕氏春秋》乐论部分的文本,透彻地认识到《吕氏春秋》音乐思想是由儒、道两家思想互补而成的多元哲学,体现在音乐的产生、音乐中的"道"以及音乐的功能三方面。As a representative work of“miscellaneous schools”,Lu’s Spring and Autumn Annals is controversial in academic history for its school attribute and ideological tendency.The music ideas contained in the book are also complex.Through an in-depth analysis of the text of music theory in Lu’s Spring and Autumn Annals,it is clear that the music thought of Lu’s Spring and Autumn Annals is a pluralistic philosophy formed by the complementary thoughts of Confucianism and Taoism,which is reflected in the generation of music,the“Tao”in music and the function of music.

关 键 词：《吕氏春秋》 音乐思想 儒家 道家 

分 类 号：J609.2[艺术—音乐]